In 1738 Henry Lascelles bought the Harewood Estate, with money made through the West Indian sugar trade. He was a banker to plantation owners, as well as being a plantation owner himself and an owner of ships, slaves and warehouses for the distribution of sugar in the UK.

The production of Carnival Messiah at Harewood is a significant contribution to the celebration of the bi-centenary of the Abolition of the Slave Trade in 1807, particularly appropriate as one of the aims of Carnival Messiah is to recognise the contribution that commonwealth nations and in particular African Caribbean communities have made to British post-colonial society.

The existence of Harewood House is at the very centre of Caribbean and British heritage, both of which are cause for celebration in this commemorative bi-centennial year.

For Carnival Messiah to be performed at Harewood House marks the restoration of today’s generation. It highlights unity, repentance and forgiveness of two cultures, working together to create a positive foundation for generations to come. Carnival Messiah is itself an encouraging statement marking the bi-centenary of the Abolition of Slavery, to the local community.

Combining the built heritage of Harewood House with the cultural heritage of Carnival Messiah the project aims to create a bridge and contribute to reconciliation and greater cross-cultural understanding.